Upcoming Conventions and Other Appearances
Showing posts with label digital color. Show all posts
Showing posts with label digital color. Show all posts
Saturday, November 3, 2012
Burgie Awards '13
For next year's Burgie Awards, food critic blogger Burger Beast requested a parody of John Carpenter's slasher classic, 'Halloween' (1978). This was a rather clever challenge that he proposed, trying to make a burger that resembled the jack o' lantern face from the iconic movie poster. I think the solution that I came up with works rather nicely, here, and so did he, which is the important thing.
Check out the previous Burgie Award posters from past years, if you aren't familiar with them:
Wednesday, August 31, 2011
Burgie Awards '11 poster
Been waiting for Burger Beast to post this before posting this, myself. This mock-up artwork is for the food critic's upcoming 2011 Burgie Awards, parodying a variant of the 1933 'King Kong' theatrical posters. This makes for the third annual poster that I've been commissioned, having done this for all the Burgie Awards events thus far. And I have to say, this year's poster is my current favorite.
The WIP sketch
Friday, August 20, 2010
Adventure Time: Algebraic!

A little gift art for my girlfriend, Dara, to help cheer her up. And from what I've seen, it's an amusing little cartoon. If you enjoy this style, regarding both artwork and humor, then I suggest that you might also take a look at The Perry Bible Fellowship webcomic. Fair warning, though, P.B.F. does often make use of adult-oriented humor.
Monday, August 2, 2010
2nd Burgie Awards poster

If regular followers are having a sensation of slight déjà vu, it's only natural and for two main reasons. This commissioned piece parodies one particularly iconic theatrical poster of Stanley Kubrick's A Clockwork Orange (1971). The commissioner was Sef Gonzalaz, a.k.a. Burger Beast, for his second-annual Burgie Awards event, the first of which I also illustrated as a parody poster in the style of Peter Jackson's Lord of the Rings: The Fellowship of the Ring (2001).
The Burgie Awards is set to take place in downtown Miami, Florida at the Transit Lounge (729 SW 1st Ave.) on September 13th, starting at 8 PM. Again, like last year, I would go if I wasn't living on the opposite side of the States. However, if you happen to frequent the Miami area then be sure to stop by for good food and friendly competition. Tell Burger Beast that Silent Sketcher sent you.
Sunday, June 20, 2010
-SD- Maus the Mouse King
Wednesday, May 26, 2010
The Unique Tales #3
So here's the big reveal of all the work that's been going on behind the scenes as of late. The latest issue of 'The Unique Tales' has made its online debut today and is available for your reading pleasure, absolutely free. If you're a fan of Adam Withers and Comfort Love's 'The Uniques' series, I probably don't need to elaborate too much. But for those of you who are unfamiliar, 'The Uniques' is a present-day, superhero comic book series revolving around a younger generation, rag-tag team of heroes. Issue three of 'The Unique Tales', 'The Uniques's sister mini-series, delves into the Golden Age of their heroes' precursors during World War II. Sounds interesting, doesn't it? Read 'The Unique Tales' #3, "...As Defined By Our Choices," here.
I have to really applaud Adam and Comfort with their undertaking in 'The Unique Tales'. It's no small task orchestrating a mini-series like this, collaborating and constantly deliberating back and forth with the contributors involved. They may not work for Marvel, DC, or the other big name publishers out there, but make no mistake they are true professionals. (And quite frankly I am glad for their independence. They have their own, real identity as artists and in their work.) So it's been a privilege working with them and indirectly with the others contributing to this particular issue.

Aside from the Golden Age Taskforce character designs, here's my main contribution to issue three. From top to bottom, left to right, the team is composed of: Ghost, Virtue, Guardian Angel, Liberty, Countryman, and Mercury. Technically it's still a work in progress, but I was satisfied with this stage of the pin-up for the web premiere deadline of this issue. I'll be sure to post the finalized variant sometime before 'The Unique Tales' reaches the publication point. In the meantime, however, I'm going to take a break from this beast and work on some other interests. And if you're interested, 11x17" prints of this pin-up are also for sale. Contact me via e-mail.
I have to really applaud Adam and Comfort with their undertaking in 'The Unique Tales'. It's no small task orchestrating a mini-series like this, collaborating and constantly deliberating back and forth with the contributors involved. They may not work for Marvel, DC, or the other big name publishers out there, but make no mistake they are true professionals. (And quite frankly I am glad for their independence. They have their own, real identity as artists and in their work.) So it's been a privilege working with them and indirectly with the others contributing to this particular issue.

Aside from the Golden Age Taskforce character designs, here's my main contribution to issue three. From top to bottom, left to right, the team is composed of: Ghost, Virtue, Guardian Angel, Liberty, Countryman, and Mercury. Technically it's still a work in progress, but I was satisfied with this stage of the pin-up for the web premiere deadline of this issue. I'll be sure to post the finalized variant sometime before 'The Unique Tales' reaches the publication point. In the meantime, however, I'm going to take a break from this beast and work on some other interests. And if you're interested, 11x17" prints of this pin-up are also for sale. Contact me via e-mail.
Tuesday, March 30, 2010
postcard zombie prints: NotLD's Karen Cooper
Here's the next postcard-sized print in my series of cinematic zombies, Karen Cooper (Kyra Schon) from Romero and Russo's 'Night of the Living Dead' (1968).

Aside from the gruesome discovery of young Karen devouring her father's remains, the most memorable bit of this sequence was the stabbing of her mother with a bricklayer's trowel. In some respects, the "ghouls" of 'Night of the Living Dead' were more revolutionary than their modern, shambling (or in some cases running) counterparts. After all, these were tool-users. Additionally, unlike Romero's later adaptations, these zombies seemed to have an immediate grasp of the concept. In films like 'Day of the Dead' and 'Land of the Dead' it was a gradually learned process, whereas in this first film it was instinctive. Personally, that notion instills a greater sense of dread. I wanted to convey this in Karen, capturing her with the trowel raised in hand menacingly.
These prints are for sale, so send me an e-mail if you are interested in purchasing. My current asking price is $1.50 USD each ($4 for four prints), plus an additional $2 for mailing costs. Prints will include my personal signature as well. There will also be no watermark, as seen here.
NOTICE: The background is the original poster artwork from the film. It's a filler and gives recognition to the movie from which the depicted character is derived from.

Aside from the gruesome discovery of young Karen devouring her father's remains, the most memorable bit of this sequence was the stabbing of her mother with a bricklayer's trowel. In some respects, the "ghouls" of 'Night of the Living Dead' were more revolutionary than their modern, shambling (or in some cases running) counterparts. After all, these were tool-users. Additionally, unlike Romero's later adaptations, these zombies seemed to have an immediate grasp of the concept. In films like 'Day of the Dead' and 'Land of the Dead' it was a gradually learned process, whereas in this first film it was instinctive. Personally, that notion instills a greater sense of dread. I wanted to convey this in Karen, capturing her with the trowel raised in hand menacingly.
These prints are for sale, so send me an e-mail if you are interested in purchasing. My current asking price is $1.50 USD each ($4 for four prints), plus an additional $2 for mailing costs. Prints will include my personal signature as well. There will also be no watermark, as seen here.
NOTICE: The background is the original poster artwork from the film. It's a filler and gives recognition to the movie from which the depicted character is derived from.
Wednesday, March 24, 2010
postcard zombie prints: NotLD's Cemetery Zombie
Here's the next postcard-sized print in my series of cinematic zombies, the Cemetery Zombie (Bill Hinzman) from Romero and Russo's 'Night of the Living Dead' (1968).

Hinzman's zombie appears at various points throughout the film, but the scene most memorable to myself is his attack on Barbra (Judith O'Dea), when she is trapped inside her brother's car. Something about the way he slammed his palms against the windows made it intense, so it seemed to me that it would make a dynamic pose in this print.
These prints are for sale, so send me an e-mail if you are interested in purchasing. My current asking price is $1.50 USD each ($4 for four prints), plus an additional $2 for mailing costs. Prints will include my personal signature as well. There will also be no watermark, as seen here.
NOTICE: The background is the original poster artwork from the film. It's a filler and gives recognition to the movie from which the depicted character is derived from.

Hinzman's zombie appears at various points throughout the film, but the scene most memorable to myself is his attack on Barbra (Judith O'Dea), when she is trapped inside her brother's car. Something about the way he slammed his palms against the windows made it intense, so it seemed to me that it would make a dynamic pose in this print.
These prints are for sale, so send me an e-mail if you are interested in purchasing. My current asking price is $1.50 USD each ($4 for four prints), plus an additional $2 for mailing costs. Prints will include my personal signature as well. There will also be no watermark, as seen here.
NOTICE: The background is the original poster artwork from the film. It's a filler and gives recognition to the movie from which the depicted character is derived from.
Saturday, March 20, 2010
postcard zombie prints: RotLD's Tarman
With the Motor City Comic Con nearing, I've decided to get a start on some artwork to sell. Here is the first in a series of illustrations depicting cinematic zombies, the Tarman (Allan Trautman) from Dan O'Bannon's 'The Return of the Living Dead' (1985).

There's also a cameo of Tarman in 'The Return of the Living Dead: Rave to the Grave' (2005), which did an awesome rendition of the zombie, but I decided to opt for the original version instead. These postcard-sized prints are for sale online as well, so send me an e-mail if you are interested in purchasing. My current asking price is $1.50 USD each ($4 for four prints), plus an additional $2 for mailing costs. Prints will include my personal signature as well.
Next on the agenda is George A. Romero's movies, starting with the 1968 classic, 'Night of the Living Dead'. Expect to see the Cemetery Zombie (Bill Hinzman) sometime next week.
NOTICE: The background is the original poster artwork from the film. It's a filler and gives recognition to the movie from which the depicted character is derived from.

There's also a cameo of Tarman in 'The Return of the Living Dead: Rave to the Grave' (2005), which did an awesome rendition of the zombie, but I decided to opt for the original version instead. These postcard-sized prints are for sale online as well, so send me an e-mail if you are interested in purchasing. My current asking price is $1.50 USD each ($4 for four prints), plus an additional $2 for mailing costs. Prints will include my personal signature as well.
Next on the agenda is George A. Romero's movies, starting with the 1968 classic, 'Night of the Living Dead'. Expect to see the Cemetery Zombie (Bill Hinzman) sometime next week.
NOTICE: The background is the original poster artwork from the film. It's a filler and gives recognition to the movie from which the depicted character is derived from.
Thursday, March 4, 2010
Petals and Prince Zebulan commissions
Here are a couple digitally-colored portraits, one done a few months back, the other done today. These were commissioned by two separate individuals, but I decided to include them together in this post.
Saturday, November 7, 2009
BPRD trio pin-up
Sometime I'll get back to finishing my six-part series of Hellboy pin-ups. But in the meantime, here's a variant 11x17" print that includes the three main characters: Abe Sapien, Hellboy, and Liz Sherman. If you've been on the fence, unable to decide on which of the three individual prints to buy, perhaps this combination will do it for you. You can purchase one for $7, plus an additional $5 for mailing costs. I accept payment through PayPal.
Tuesday, October 27, 2009
Makiev commission

Another digitally-colored portrait I finished not so long ago, here's the Soviet assassin Makiev, an original character designed and commissioned by Matt K. I took a great deal of pleasure hammering out this one, as I find the World War II era rather interesting in of itself. For those of you familiar with Mike Mignola's Hellboy, you'll likely notice the similarity of Makiev's mask to Karl Ruprecht Kroenen's. The design of that particular accessory was indeed inspired heavily by it. On another side note, the eyes may seem off. That is due to his left eye, which is slightly clouded over.
Commander Deth commission
A little while back, I created a digitally-colored portrait of mech pilot Commander Ian Benjamin Deth, an original character designed and commissioned by Julie D. She loved it, so much so that she even had it framed, along with a print of my Fast Food Mafia piece that she purchased. Julie sent me a picture of the framed prints today, so I wanted to share it.Friday, August 28, 2009
Fast Food Mafia pin-up v.2
For those of you who are interested in some of the more recognizable characters, here's a condensed version of the previous Fast Food Mafia pin-up with just the first five that I drew. You can purchase a 9x12" gloss print for $5, plus an additional $4 for mailing costs. Just contact me at andrew.shirey@yahoo.com if you're interested. I accept payment through PayPal. And of course the prints won't include the watermarks.
Thursday, August 20, 2009
Burgies Awards poster

A commissioned piece for Burger Beast and his event 'The Burgies Awards', which is being held in Coral Gables, to celebrate south Florida's "everyman food" as well as commemorate the blog's one year anniversary. So if you live in the area be sure to swing by and enjoy the venue of hot dogs, pizza, chicken wings, and of course burgers, just to name a few items on the menu. I'd go if I weren't living at the opposite side of the States.
Lord of the Rings fonts can be found here.
Sunday, August 16, 2009
Fast Food Mafia pin-up

This really just started out as a simple drawing to amuse myself. But after getting a lot of positive feedback I decided to make more of these fast food mafia characters and create a pin-up with them. Going from left to right, top to bottom, the fast food chain restaurants and their respective persons/mascots parodied here include:
- Jack in the Box -- Robert "Jack in the" Box
- McDonald's -- Ronald McDonald, Grimace, and Birdie
- Burger King -- "The King"
- Wendy's -- Wendy
- Kentucky Fried Chicken -- founder Harland Sanders
- Papa John's Pizza -- founder John Schnatter
- Little Caesars -- Little Caesar
- Taco Bell -- chihuahua dog
- Panda Express -- panda
- Sonic Drive-in -- founder Troy Smith and Katie the carhop
- Quiznos -- talking baby Bob
- Subway -- spokesman Jared Fogle
- Dairy Queen -- talking red lips
Thursday, May 14, 2009
Hellboy pin-ups
Been working on a six-part series of Hellboy pin-ups, which can be pieced together to form one large picture in the background. (This was inspired by the '94 Fleer Marvel Cards of Spider-man, which did the same in sets of nine.) So far Abe Sapien, Hellboy, and Liz Sherman are available. Eventually this will include Johann Kraus, Roger the homunculus, and Captain Daimio. You can purchase a 10x15" gloss print for $5, plus an additional $4 for mailing costs. As an added incentive, you can purchase three prints for $12, plus $4 for mailing, which saves you a few dollars. I accept payment through PayPal.




Wednesday, May 6, 2009
Salad Days fan art
For a few years now, since around '07, I've been a fan of the manga-esque comic Salad Days as well as good friends with its creator, Nafisah Tung, better known as Tyshea in some circles. The motto of Nafisah's comic is "Salad Days: a time of youthful innocence... Yeah, right," which perfectly captures the overall feeling of the story. It is, as she describes it, "a slice-of-life comedy and drama about a supernatural high school that focuses on the silly exploits of four friends". These four friends include: Ashley "Ash" Reinhardt, a grouchy and sarcastic vampire; Autumn Yates, a gentle ghost with journalistic aspirations; Mint Talbot, a werewolf just bubbling over with sunshine; and Renee "Ren" Tunone, an awkward, tomboyish grim reaper. After initially seeing the conceptual art and preliminary comic drawings, I just fell head over heels in love with it.
This drawing was the one that started it all, my very first piece of Salad Days fan art. It was a two-for-one, as it was both an art trade with Nafisah and an entry into a Salad Days fan art contest, which incidentally won first place. Here is Ren with "were-puppy" Mint tucked into her hoodie, also including Ash's spastic younger brother, Tony, in the signature. (If you don't get the cabbage exclamation, that's understandable. It was an inside joke, based on a drawing of Nafisah's in which Tony is sitting in a shopping cart with a grocery bag on his head, making this remark to Ash.)
Similarly, this was for another Salad Days contest. It didn't win, but was given an honorable mention. Anyway, what makes this one special is the backstory it tells. For winning first place in the last contest, Nafisah let me create a custom character to be used in her comic. Thus was Drew O' Shire the cu sidhe made. You can think of him as similar to a werewolf with phantasmal powers. Which brings me to the actual werewolf, Mint Talbot. Nafisah and I both thought it would be adorable to have Drew and Mint be childhood friends, so this comic tells the abridged story of how they first met. Cute, no?
Here is a drawing with Drew O' Shire (right) with Wormwood High art teacher, Art Tunone the leprechaun (left), and a fellow student, Aria the banshee (back). Drew's outfit here was based on a design Nafisah created for him in another of her Salad Days drawings. I've become very impressed with her skill for fashion illustration.







Becoming an even bigger fan, I was compelled for a time to illustrate some Salad Days minor characters, as well as the main four, which you note in the third pair of illustrations seen here. I won't go into detail as to who is who, but excluding the central characters, the rest were created by fans. This is, in my personal opinion, one of the things that makes Salad Days so great: fans can develop their own original characters and create side stories within Wormwood High. After all, the setting of Salad Days is in a high school, which means there needs to be a student body, and that's a lot of characters for one person to create.
Nafisah has found a brilliant solution that pleases her and the fans alike by letting them contribute to the comic in this way. In this sense, Salad Days becomes more than a comic, becoming something of an interactive story. A fan can create individual stories with their original characters or get together with other fans and collaborate, making stories together. After all, while Salad Days revolves around Ash, Autumn, Mint, and Ren, Wormwood High itself has many students, each with their own stories. It becomes so much more involved and expansive in this capacity.
(There's more fan art that I'll post, but I'm tired so that will have to wait for the time being.)
This drawing was the one that started it all, my very first piece of Salad Days fan art. It was a two-for-one, as it was both an art trade with Nafisah and an entry into a Salad Days fan art contest, which incidentally won first place. Here is Ren with "were-puppy" Mint tucked into her hoodie, also including Ash's spastic younger brother, Tony, in the signature. (If you don't get the cabbage exclamation, that's understandable. It was an inside joke, based on a drawing of Nafisah's in which Tony is sitting in a shopping cart with a grocery bag on his head, making this remark to Ash.)
Similarly, this was for another Salad Days contest. It didn't win, but was given an honorable mention. Anyway, what makes this one special is the backstory it tells. For winning first place in the last contest, Nafisah let me create a custom character to be used in her comic. Thus was Drew O' Shire the cu sidhe made. You can think of him as similar to a werewolf with phantasmal powers. Which brings me to the actual werewolf, Mint Talbot. Nafisah and I both thought it would be adorable to have Drew and Mint be childhood friends, so this comic tells the abridged story of how they first met. Cute, no?
Here is a drawing with Drew O' Shire (right) with Wormwood High art teacher, Art Tunone the leprechaun (left), and a fellow student, Aria the banshee (back). Drew's outfit here was based on a design Nafisah created for him in another of her Salad Days drawings. I've become very impressed with her skill for fashion illustration.






Becoming an even bigger fan, I was compelled for a time to illustrate some Salad Days minor characters, as well as the main four, which you note in the third pair of illustrations seen here. I won't go into detail as to who is who, but excluding the central characters, the rest were created by fans. This is, in my personal opinion, one of the things that makes Salad Days so great: fans can develop their own original characters and create side stories within Wormwood High. After all, the setting of Salad Days is in a high school, which means there needs to be a student body, and that's a lot of characters for one person to create.Nafisah has found a brilliant solution that pleases her and the fans alike by letting them contribute to the comic in this way. In this sense, Salad Days becomes more than a comic, becoming something of an interactive story. A fan can create individual stories with their original characters or get together with other fans and collaborate, making stories together. After all, while Salad Days revolves around Ash, Autumn, Mint, and Ren, Wormwood High itself has many students, each with their own stories. It becomes so much more involved and expansive in this capacity.
(There's more fan art that I'll post, but I'm tired so that will have to wait for the time being.)
Labels:
comics,
digital color,
illustration,
salad days
Friday, March 13, 2009
Comic-style Illustration Commissions
It's difficult to set a standard price on works like watercolor paintings and pastel drawings, since factors like surface size, the subject matter, and other details make each commission unique and as such the price is negotiated. However, I do have a list of standard prices set for the more comic-style illustrations one would find at a convention. But before I get into that, it's important to cover some ground rules in regards to these comic-style illustration commissions, which are as follows:
Line Art (pencil):
Shaded Art (pencil):
Commissions can be done on 8.5x11", 9x12", or 10x15". The first is typical paper while the latter two are bristol. If you are interested in a print or having the original mailed, we'll discuss that as we hash out the commission details. Also, since I find 10x15" (and larger) work a pain, both to draw on and to scan, I charge an additional $5 for commissions of that size. In regards to backgrounds, if you want just a plain color/shade or simple design, I won't charge for that. I understand this isn't a perfect commission system, so there are items it doesn't cover. We will work those out in e-mails.
If you are interested or have any questions, feel free to ask.
- I reserve the right to refuse work when I see fit. And I absolutely refuse to do pornographic work. That aside, I'm pretty open and flexible to anything else.
- I accept payment through PayPal. I will not work on your commission until I receive payment AND have come to an agreement on the commission itself. All the details need to be hashed out before I begin.
- If you are interested in commissioning me, contact me at andrew.shirey@yahoo.com, my business e-mail.
- For personal promotion, I will post commissions on Blogger.com unless a client specifically expresses not to. Watermarking your commission is also an option.
- Reference images are helpful and good descriptions are key. I can't help you if I don't understand what you want.
- I keep the original work, unless you're willing to pay extra.
- The time it takes to complete a commission varies. Circumstances may also come up that can affect my work time. Regardless, once we've agreed on a commission, it's a done deal: you will get what you've paid for. Also, I try to work on a first come, first served basis.
- Unless some personal reason is expressed against such, I might be inclined to make prints of the commissioned work available to others for purchase. Keep in mind, this would only be in the case where it seems very likely to sell. Such an example would be a detailed pin-up of a popular, copyrighted character. If the character does not belong to you, I see no reason why not.
- No refunds. Sorry.
Line Art (pencil):
- character bust portrait - $15
- upper/full body character - $30
- additional characters cost the same, but after 3 characters I'll knock off $5 for each extra
- background - $10-30 (depends on detail)
- example: see below
Shaded Art (pencil):- character bust portrait - $20
- upper/full body character - $40
- additional characters cost the same, but after 3 characters I'll knock off $5 for each extra
- background - $15-40 (depends on detail)
- can be in standard gray, graphite pencil OR monochromatic in a single color pencil
- example: see below

- character bust portrait - $25
- upper/full body character - $50
- additional characters cost the same, but after 3 characters I'll knock off $7 for each extra
- background - $20-50 (depends on detail)
- example: see below

Commissions can be done on 8.5x11", 9x12", or 10x15". The first is typical paper while the latter two are bristol. If you are interested in a print or having the original mailed, we'll discuss that as we hash out the commission details. Also, since I find 10x15" (and larger) work a pain, both to draw on and to scan, I charge an additional $5 for commissions of that size. In regards to backgrounds, if you want just a plain color/shade or simple design, I won't charge for that. I understand this isn't a perfect commission system, so there are items it doesn't cover. We will work those out in e-mails.
If you are interested or have any questions, feel free to ask.
Labels:
comics,
commissions,
digital color,
illustration
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